This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
Diana 1997 - Diana Collection
Material: leather / Year: 2020
About the collection:
This series of three pairs of footwear, looks at Princess Diana as a symbol of innocence, worship and eventually sacrifice. Addressing our reckless attitude towards what we love most, this female icon was adored by an enchanted public. Hungry for affection, to the point of placing our protagonist in an impossible and destructive situation.
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The shoes in this capsule collection place the foot in that impossible, broken position. Constantly tip toeing a fine line. It replaces balance and ease for consistent restraint and discomfort. And yet, we can’t help but wonder what it is like to walk in those shoes. Could we pull it off and how painful would it be?
About this design:
The third and final shoe is a freer, more confident and autonomous design. The soft shape of the asymmetric, shiny collar, aims to give a feminine, glamorous feeling. However, it equally plays the mournful, more ominous part of portraying the bronze, static statue that is left behind after the tragic loss of a beloved historical figure.
