This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
This mini collection of three handcrafted pair of boots was inspired by the expressive and spiritual art of African masks, translated to walk the urban street as a statement of female empowerment.
Intentionally ignoring the idealised, western notion of the female body, this work amplifies the leg with an unconventional silhouette. It echos this intricate tribal art, which comes to life through a play on proportions. Enhancing and disfiguring, shapes are simplified and exaggerated. And the idea of body modification is used to deter modern day evil abuse.
Royal Clash - part 2
Material: Repurposed jeans / Year: 2022
These high boots are an inquiry into the tug of war between the United States and the People’s Republic of China. Two giants dividing the world into two large blocks and continuously meddling in each others affairs.
The first adversary with its long, rich history and impenetrable secrets, is represented in the silhouette of the boot. The small toe and wide leg hint back to times past and traditional imperial Chinese footwear. To offset this, is the boots’ fabrication. Constructed out of denim, it symbolizes a modern age, individualism and the USA. A rival addicted to all things new, big and abundant.
Each component of this footwear is carefully crafted and manipulated by hand. The glaring, bright red sole is competing for attention with the opulent and excessive denim above, which is entirely made from repurposed jeans and elevated by a variety of techniques. Needing each other to tell a complete story, the two parts create a curious blend of East meets West, archaic meets contemporary.​
